Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Study for woman seated Beside a vass of flowers oil painting


Study for woman seated Beside a vass of flowers
mk194 1865
Painting ID::  49171 		Edgar Degas
Study for woman seated Beside a vass of flowers
mk194 1865
   
   
     
Edgar Degas A Woman seated beside a vase of flowers oil painting


A Woman seated beside a vase of flowers
mk194 1865 Oil on cnavas 73.7x92.7cm
Painting ID::  49172 		Edgar Degas
A Woman seated beside a vase of flowers
mk194 1865 Oil on cnavas 73.7x92.7cm
   
   
     
Edgar Degas Landscape oil painting


Landscape
mk194 1890-92
Painting ID::  49173 		Edgar Degas
Landscape
mk194 1890-92
   
   
     
Edgar Degas A Ballet dancer in position Facing three oil painting


A Ballet dancer in position Facing three
mk194 c.1872-73
Painting ID::  49174 		Edgar Degas
A Ballet dancer in position Facing three
mk194 c.1872-73
   
   
     
Edgar Degas After the bath,woman drying herself oil painting


After the bath,woman drying herself
mk194 c.1893-98
Painting ID::  49175 		Edgar Degas
After the bath,woman drying herself
mk194 c.1893-98
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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